The future of Screen printing |
Source:https://www.fespa.com/en/news-media/industry/the-future-of-screen-printing Published:2018-09-29 10:32:19 |
Screen printing is moving into another phase of growth similar to its take up in small and large format graphics, printing textiles and optical discs in 20th century.
Everybody knows about silk screen printing. It is old fashioned, dirty, smelly, unreliable, a craft, and it takes twenty years to become an ink covered expert. It's really only used for printing tee shirts and simple posters. The basic items required to carry out the screen process printing are: Stencil (Image below, courtesy of KIWO): This is a structure that consists of a frame onto which a mesh is attached under tension. The mesh is coated or covered with a photosensitive material. The image to be printed is created photographically on the stencil leaving open areas of mesh through which ink passes. The stencil is also known as "the screen". Machine: The machine base provides a surface for the substrate to be printed and the upper section secures the screen. Ideally, movement should be possible between substrate and screen. The graphic shows screen-printing in its most basic form. From this highly sophisticated equipment has been developed and is used in a host of different applications. This is an alternative form of printing press as compared to the graphic of the flatbed press shown above. There is a considerable difference in its mechanical operation but the transfer of ink from the mesh to the substrate remains substantially the same. The difference in the mechanism is that the both the stencil and the substrate are in motion and the movement of ink from the mesh to the substrate is not simply dependant on the tension in the mesh lifting itself out of the ink film. The substrate moves away from the mesh as the cylinder rotates. The configuration of the press, the movement of its component parts and the substrate means that the speed of the ink leaving the mesh can be increased, resulting in print speeds up to 4500 sheets per hour. This compares to less than 1000 sheets per hour on a flatbed press. At these higher speeds it is necessary to dry the ink to achieve the output. The configuration of the machine allows for greater precision in register and image characteristics. A larger investment than a traditional flatbed press the cylinder press is a fully automatic high speed precision printing machine. Image Coutersy of PDS International A Cylindrical Printing PressSimilar in name to the cylinder press this system uses a stencil formed into a cylinder that can be several metres long with a diameter of up to 300 mm. It will print at very high speed images that will fit around the circumference of the cylinder. The substrate is normally a continuous web that is fed underneath the cylinder. Inside the cylinder are a squeegee and the ink. The squeegee brings the cylinder into contact with the substrate and the ink transfers from the cylinder to the substrate. The cylinder is constructed of a metal mesh through which the ink passes. Often these cylinders are arranged in in groups to produce multi coloured images, for example on textiles that are printed in high volumes. Whenever you think about screen printing no matter what equipment you are using think about what is happening at the point where the stencil is in contact with the substrate. Using a Laser Cut or Chemically Etched Stencil MaskNormally mesh is used as the support element of the stencil and ink flows in and out of the mesh openings to create the film of ink. There are applications where mesh is not required and the need is to put down blocks of printing medium that is generally a paste rather than a liquid. This is often the case in the electronics industry particularly with Surface Mount Technology (SMT). Stencil Mask Image Courtesy of DEK The principle of operation with stencil masks is different to that of a conventional stencil. The stencil mask is normally made from stainless steel and is as thick as the intended finished wet film thickness. The mechanism for depositing the ink film is similar in that there can be a squeegee and a flood coater but their function is different as is the sequence of operation. The stencil is first brought into contact with the substrate with a vertical downward movement. The flood coater comes into contact with the stencil and paste is pulled across the stencil and into the open areas of the stencil. The flood coater lifts and the squeegee then moves in the opposite direction forcing paste into the open areas of the laser cut stencil mask. When the squeegee finishes its stroke the stencil and rest of the mechanism lifts vertically leaving the paste lying on the substrate. There has to be an adhesive force between the paste and the substrate for this to occur. The aim is to provide an even coat of paste over closely defined areas. Sometimes a flood coater is not used, just a squeegee that provides both functions. Low viscosity materials such as conventional inks are not suitable as the printed structure would be unstable and would collapse. The graphics of the processes in this article show them in much simplified form. The need to have dimensional control of all aspects of the process to within a few microns takes them into the area of high precision engineering. Just some of the technologies that would not have been possible without screen printing are:
One of the more innovative applications has recently been produced in the Department of Electronics and Computer Science at the University of Southampton. It is the world's first screen-printed digital watch on fabric. Using screen printed paste inks the necessary, conductive, resistive and electroluminescent inks were applied to the fabric. |